当你终于有了完整的初稿，哪怕它再难看，哪怕你再不满意，奇迹也会发生：你从“创作者”变成了“批评者”。这时候你才能看清哪里该增，哪里该删，哪里该调，哪里的语言要有诗意，哪里的情节不到位，哪个人物的形象和性格不合适。修改不是修补，是二次创作，是在粗糙的矿石里雕琢出美玉，使之发出光。
the first append allocates a backing store of length 4 from the stack.
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What I found is that written evidence for knocking on wood (and for the history of gesture as a whole) is remarkably sparse. In the Penguin Guide to Superstitions, folklorist Steve Roud offers a skeptical take on the provenance of knocking on wood due to the near total absence of written records about it: